[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1125699:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":10,"combined_credits":17,"images":78},false,[],"Gjon Mili was an Albanian-American photographer and filmmaker renowned for his innovative work with light and motion. After studying electrical engineering at the Massachusetts Institute of Technology, he applied his technical knowledge to photography, pioneering techniques such as stroboscopic photography. Mili is perhaps best known for his collaboration with Pablo Picasso in 1949, where he captured the artist creating \"light drawings\" using a small electric light in a darkened room.  These photographs remain iconic in the art world.","1904-11-28","1984-02-14",2,null,1125699,"nm0587388","Directing","Gjon Mili","Korçë, Albania",0.4244,{"cast":18,"crew":19},[],[20,35,47,52,70],{"adult":4,"backdrop_path":10,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":32,"department":13,"job":33,"media_type":34},[22],10402,148555,"Improvisation","en","",1.768,"\u002F1aLZdVXRO3mb0ZwWvgcKP1IsqkA.jpg","1950-12-11",5,6,"52fe4bce9251416c7510e821","Director","movie",{"adult":4,"backdrop_path":36,"genre_ids":37,"id":39,"title":40,"original_language":25,"original_title":40,"overview":26,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":46,"department":13,"job":33,"media_type":34},"\u002F5ZGrPugkSR8Ka0TWb2yLW2GrkMl.jpg",[38,22],99,147282,"Jammin' the Blues",1.1754,"\u002FdRFAdxORaQokAy62KqIHUbcaA6e.jpg","1944-05-05",7,33,"52fe4ba09251416c75109081",{"adult":4,"backdrop_path":10,"genre_ids":48,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"credit_id":49,"department":50,"job":51,"media_type":34},[22],"543ffb37c3a368055100014f","Crew","Cinematography",{"adult":4,"backdrop_path":53,"genre_ids":54,"id":58,"title":59,"original_language":25,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"credit_id":67,"department":68,"job":69,"media_type":34},"\u002FxfEU7DOlQPwz8Y0TBhKmpETuNIc.jpg",[55,56,57],80,18,9648,93,"Anatomía de un asesinato","Anatomy of a Murder","Frederick Manion, un teniente del ejército, asesina fríamente al presunto violador de su mujer Laura. Tras su detención, se celebra el juicio. Su mujer contrata como abogado defensor a Paul Biegler, un honrado hombre de leyes. Durante el juicio se reflejarán todo tipo de emociones y pasiones, desde los celos a la rabia.",6.7089,"\u002F2lHWDt5kQcd4yZ5yBPUuiEFYEXD.jpg","1959-07-01",7.833,1234,"57d3597692514154870022b7","Camera","Still Photographer",{"adult":4,"backdrop_path":10,"genre_ids":71,"id":72,"title":73,"original_language":25,"original_title":73,"overview":26,"popularity":74,"poster_path":10,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":76,"credit_id":77,"department":13,"job":33,"media_type":34},[22,38],718910,"Stompin' for Mili",0.8937,"1954-06-29",0,"5ef4c5d455b0c000370da45c",{"profiles":79},[]]