[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1122195:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":387},false,[],"Basilio Martín Patino (Lumbrales, Salamanca, 29 de octubre de 1930-Madrid, 13 de agosto de 2017)​ fue un director de cine español, conocido por la película Nueve cartas a Berta (1965) y por tres de sus documentales, Canciones para después de una guerra (1971), Queridísimos verdugos (1973) y Caudillo (1974).","1930-10-29","2017-08-13",2,null,1122195,"nm0554556","Directing","Basilio Martín Patino","Salamanca, Salamanca, Spain",0.6973,"\u002FdnlZnbdFpAq60O2mpNhJehdHYYt.jpg",{"cast":19,"crew":37},[20],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":9,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002FtpqztYdkzabLg7PSFyQWJEHDAgS.jpg",[23,24],99,36,80622,"Celuloide colectivo: el cine en guerra","es","Julio de 1936. Comienza la terrible guerra civil española. Cuando la clase obrera toma las calles, comienza también la revolución social. Se socializan los espectáculos públicos, se crea un modelo de producción y exhibición de películas, nunca antes visto en la historia del cine, donde los trabajadores son los dueños y gerentes de la industria, a través de los sindicatos.",1.0938,"\u002F1c5kTg3Ps83zQO5vBToJ9B9uSon.jpg","2009-10-23",7.5,"Himself","5c56b0ba0e0a265e19d45154",3,"movie",[38,51,64,76,90,102,105,117,120,131,144,147,156,164,174,177,180,189,198,201,210,213,222,225,235,245,249,252,264,267,278,287,295,303,311,318,326,336,339,347,350,354,357,360,363,366,370,377],{"adult":4,"backdrop_path":39,"genre_ids":40,"id":41,"title":42,"original_language":27,"original_title":42,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":49,"department":13,"job":50,"media_type":36},"\u002FimRTm9IaHhnroDOxqBghSc5sKX4.jpg",[23],145088,"Libre te quiero","La película arranca con la confluencia de los manifestantes del 15M en la Puerta del Sol, sigue la construcción de la Acampada Sol, una especie de ciudad paralela asamblearia, cuya estructura se extiende a los barrios y ciudades próximas y a todos los rincones de España. Después de dar fe de lo ocurrido, sin mediación o intención, el film deja que las imágenes hablen y describe el final de la experiencia",0.9099,"\u002F5TXRCo318plS0QrhLgPlNtz7no9.jpg","2012-01-01",7,1,"52fe4b4c9251416c750fe8af","Director",{"adult":4,"backdrop_path":52,"genre_ids":53,"id":55,"title":56,"original_language":27,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"credit_id":63,"department":13,"job":50,"media_type":36},"\u002FfaFm465XnRCVWo5X41tRteOQduq.jpg",[54],18,166199,"Nueve cartas a Berta","Años cincuenta. Lorenzo es un estudiante salmantino que acaba de pasar un verano en Inglaterra, donde ha descubierto otras formas de vida y otros horizontes, además de conocer a Berta, hija de un exiliado, por la que se siente atraído. A su regreso, el ambiente tradicional de su familia, sus amigos y su novia le resultan agobiantes. Se agudizan sus inquietudes en cartas dirigidas a esa Berta que quedó en el extranjero.",1.4676,"\u002FA21JTSIGTDL5ecDWQmhPTUos43e.jpg","1966-06-16",7.2,10,"52fe4c98c3a36847f8235e35",{"adult":4,"backdrop_path":65,"genre_ids":66,"id":67,"title":68,"original_language":27,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":74,"credit_id":75,"department":13,"job":50,"media_type":36},"\u002Fl88oLTUNAqloVe4FnE1FP9S4RM1.jpg",[54],250043,"Los paraísos perdidos","La hija de un intelectual republicano,  muerto en el exilio,  regresa a su casa solariega en un pueblo de la vieja Castilla, para hacerse cargo del vasto legado cultural de su padre. Allí se reencuentra con las amistades y lugares perdidos .",1.0296,"\u002Fkih7IRz4Ctwi837FKvdvrzL9S4C.jpg","1985-01-13",6.8,5,"52fe4de59251416c9111fd89",{"adult":4,"backdrop_path":77,"genre_ids":78,"id":79,"title":80,"original_language":27,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":87,"department":88,"job":89,"media_type":36},"\u002FufQDJSdSvwpnK8GdHACp5WxMWbz.jpg",[23],260800,"Queridísimos verdugos","De la mano de los tres verdugos -\"ejecutores de setencias\"- existentes en la España de los primeros años setenta, se explora una zona particulamente oscura de la Dictadura. Más allá del alegato contra la pena capital, la película indaga en la historia personal de los tres protagonistas y sus maneras de entender el oficio que desempeñan, de los ajusticiados por ellos en el garrote vil y de sus virtudes, de los crímenes que se castigan, de lo que piensan los expertos. Un retrato atroz de la sociedad en que se desenvuelven. Una reflexión implacable sobre el poder.",1.3111,"\u002Fb3jhEYXW0rcoawLnRz8AbZ6wOfj.jpg","1977-04-20",7.8,11,"610cbfc0f6fd18005e7bb576","Writing","Writer",{"adult":4,"backdrop_path":91,"genre_ids":92,"id":94,"title":95,"original_language":27,"original_title":95,"overview":96,"popularity":97,"poster_path":98,"release_date":99,"softcore":4,"video":4,"vote_average":73,"vote_count":100,"credit_id":101,"department":13,"job":50,"media_type":36},"\u002FygRLjoNQQGaW7GaFKclAKI0MW4F.jpg",[23,24,93],10402,256803,"Canciones para después de una guerra","Una particular lectura de los duros años de hambruna, represión y censura tras la masacre de la guerra civil española (1936-39), a través de la cultura popular: canciones, periódicos y revistas, películas y noticiarios.",1.4437,"\u002F5XH6pWX7dFn689calqfSySSkpiJ.jpg","1976-02-09",12,"530a04abc3a36841f60040e1",{"adult":4,"backdrop_path":91,"genre_ids":103,"id":94,"title":95,"original_language":27,"original_title":95,"overview":96,"popularity":97,"poster_path":98,"release_date":99,"softcore":4,"video":4,"vote_average":73,"vote_count":100,"credit_id":104,"department":88,"job":89,"media_type":36},[23,24,93],"530a05cfc3a368421b004002",{"adult":4,"backdrop_path":106,"genre_ids":107,"id":108,"title":109,"original_language":110,"original_title":109,"overview":111,"popularity":112,"poster_path":113,"release_date":114,"softcore":4,"video":4,"vote_average":115,"vote_count":47,"credit_id":116,"department":13,"job":50,"media_type":36},"\u002FjGO84G99ZyuQ8SNxa2KNAjry30L.jpg",[23],260793,"Caudillo","en","Primer trabajo de montaje sobre el dictador. Desarrollado el método de trabajo puesto a punto en \"Canciones para después de una Guerra\", ahora ya en plena clandestinidad, el autor y su equipo iniciaron una búsqueda de imágenes y sonidos de archivo, en los que no pudieron contar, en esta ocasión, con los fondos de organismos oficiales, al estar proscritos tras el conflicto con su trabajo anterior, para organizarlos posteriormente de un modo particularmente imaginativo.",1.0533,"\u002F4hG8WtCTBCmQ9eb5mFnQ2zRBuWH.jpg","1977-10-14",7.9,"532f1908c3a3685fd300472f",{"adult":4,"backdrop_path":77,"genre_ids":118,"id":79,"title":80,"original_language":27,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":119,"department":13,"job":50,"media_type":36},[23],"532f1c32c3a3685fdb0047dc",{"adult":4,"backdrop_path":10,"genre_ids":121,"id":123,"title":124,"original_language":110,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":9,"credit_id":130,"department":13,"job":50,"media_type":36},[54,122],10751,260796,"Octavia","En 1956, Rodrigo viaja a Lovaina para estudiar Ciencias Políticas. Allí conoce a Camilo Torres, un cura guerrillero al que acompaña para reorganizar la guerrilla colombiana. Muerto Torres, y tras una serie de vicisitudes personales y políticas, Rodrigo se convierte en un activista a favor de los derechos humanos.",1.8659,"\u002F7uWwX9RrxZ0oE38ydCpYaZAz9NA.jpg","2002-10-11",9,"532f1a8c9251413a85003a2f",{"adult":4,"backdrop_path":132,"genre_ids":133,"id":136,"title":137,"original_language":27,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":142,"vote_count":47,"credit_id":143,"department":13,"job":50,"media_type":36},"\u002FsNLsGHCweNAvOd7TPz5vzIr8085.jpg",[54,134,135],10749,10752,260803,"Madrid","Hans, un realizador alemán, es enviado a Madrid para hacer un documental sobre la capital y la Guerra Civil Española, cuando se cumple el 50 aniversario. Lo acompaña Lucía, su montadora, y Goyo, el operador de cámara. Juntos recorren Madrid grabando imágenes y relacionándolas con el pasado, y tras ello, Hans se da cuenta que la capital es una ciudad mucho más abierta y seductora de lo que pensaba. Entonces, Hans se pregunta sobre el sentido de su trabajo, pero la idea de cambiar el punto de vista del documental no tendrá un buen recibimiento por parte de aquellos que lo han contratado",1.5941,"\u002Fud7VaCz7DG6JdLSZtpBKnTMO24h.jpg","1987-03-18",6.4,"532f1dca9251413a7b003a62",{"adult":4,"backdrop_path":10,"genre_ids":145,"id":123,"title":124,"original_language":110,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":9,"credit_id":146,"department":88,"job":89,"media_type":36},[54,122],"53efde7c0e0a2675ac001dd5",{"adult":4,"backdrop_path":10,"genre_ids":148,"id":149,"title":150,"original_language":27,"original_title":150,"overview":151,"popularity":152,"poster_path":10,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":9,"credit_id":155,"department":13,"job":50,"media_type":36},[54,23],319029,"Torerillos, 61","",1.0517,"1962-01-01",6.5,"54bb175492514148f000472c",{"adult":4,"backdrop_path":10,"genre_ids":157,"id":158,"title":159,"original_language":27,"original_title":159,"overview":151,"popularity":160,"poster_path":10,"release_date":161,"softcore":4,"video":4,"vote_average":162,"vote_count":9,"credit_id":163,"department":13,"job":50,"media_type":36},[23],319028,"El noveno",0.6405,"1960-01-01",6,"54bb15e692514148f00046fa",{"adult":4,"backdrop_path":10,"genre_ids":165,"id":166,"title":167,"original_language":27,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":9,"credit_id":173,"department":13,"job":50,"media_type":36},[23,24],344565,"Casas Viejas: el grito del sur","La represión, por parte de las fuerzas del orden al servicio de la República, de una rebelión campesina de corte libertario en la pequeña localidad gaditana de Casas Viejas, en 1933, “reconstruida” a partir de testimonios, análisis históricos y fragmentos de películas supuestamente recuperadas. Mientras varios historiadores ofrecen datos de los sucesos y de sus antecedentes: paro, hambre, latifundismo, frustración de las esperanzas creadas por la proclamación de la República, etcétera, unos vecinos actuales del pueblo comentan viejas fotos y los descendiente de los protagonistas hablan de sus antepasados.  La obra pertenece a una serie para televisión de siete películas sobre Andalucía llamada \"Andalucía, un siglo de fascinación\".",0.6762,"\u002Few5AP96kqiTobyd3rYLLYx54meD.jpg","1997-10-01",8.2,"557d48ac9251415f8c0000c2",{"adult":4,"backdrop_path":10,"genre_ids":175,"id":166,"title":167,"original_language":27,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":9,"credit_id":176,"department":88,"job":89,"media_type":36},[23,24],"557d48c092514153a10036ca",{"adult":4,"backdrop_path":132,"genre_ids":178,"id":136,"title":137,"original_language":27,"original_title":137,"overview":138,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":142,"vote_count":47,"credit_id":179,"department":88,"job":89,"media_type":36},[54,134,135],"61b7dc93397df000984e9652",{"adult":4,"backdrop_path":10,"genre_ids":181,"id":182,"title":183,"original_language":27,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":188,"department":88,"job":89,"media_type":36},[23],359880,"Retablo de la Guerra Civil Española","El documental “Retablo de la Guerra Civil Española”, es la reunión de 20 trabajos audiovisuales que se proyectaron entre octubre y diciembre de 1980 en el Palacio de Cristal del Retiro, en Madrid, durante la exposición “La Guerra Civil Española”. Esto hace que sea un documental con uno de los patrimonios fílmicos más interesantes. En total son dos horas donde podemos ver, sin mayor influencia del editor, distintas filmaciones de la época con narraciones y discursos que nos entregarán, al final, una idea muy clara de lo que ocurría en aquellos años. (FILMAFFINITY)",0.7411,"\u002F89enfwRa3gqaQdAgJyv6pLFYtZ6.jpg","1980-10-15","55f721f5c3a3680a0d00b929",{"adult":4,"backdrop_path":10,"genre_ids":190,"id":191,"title":192,"original_language":27,"original_title":192,"overview":193,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":74,"vote_count":48,"credit_id":197,"department":13,"job":50,"media_type":36},[23],359882,"Inquisición y libertad","Reflexiones en torno a una exposición sobre el Santo Oficio en España.",1.1325,"\u002FzCM3qLyts6pte1jm9NdW1uJaoqA.jpg","1982-01-01","55f724dc9251414f6d0059e4",{"adult":4,"backdrop_path":10,"genre_ids":199,"id":182,"title":183,"original_language":27,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":47,"vote_count":48,"credit_id":200,"department":13,"job":50,"media_type":36},[23],"55f721dcc3a3680a0d00b925",{"adult":4,"backdrop_path":10,"genre_ids":202,"id":203,"title":204,"original_language":27,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":162,"vote_count":48,"credit_id":209,"department":88,"job":89,"media_type":36},[93,23],470778,"Ojos verdes","La añoranza y revisión crítica de la copla se vive a través de la historia del marqués de Almodóvar, apasionado embajador que le organizaba los festejos folclóricos a Franco; generoso, mujeriego, excesivo, dilapidador, protagonista él mismo de su propia copla. Enamorado en su juventud de una corista de Concha Piquer, dedicó su vida a recoger fetiches y recuerdos de todas las divas del cante con los que organizar un museo sentimental en su decadente castillo, llenándolo de vitrinas donde almacenar las añoranzas. Al morir, de modo indigente, en la pensión de su última amante, también cupletista, ésta disputa su legado con el ama de llaves que se ocupó toda la vida de cuidar de él y de sus pintorescas colecciones en el castillo familiar. Un entrañable amigo diplomático rememora su fantasiosa existencia emotivamente. Una estética que forma parte del sentir del pueblo andaluz. Y como hilo conductor \"Ojos Verdes\", el cantar de los cantares más bello de su rico cancionero.",0.7219,"\u002F8ghDlrPummQWtYoWsKd4KtG6UQD.jpg","1997-11-01","61bad66c1c6329006962c0bc",{"adult":4,"backdrop_path":52,"genre_ids":211,"id":55,"title":56,"original_language":27,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"credit_id":212,"department":88,"job":89,"media_type":36},[54],"56013d19c3a3685625001512",{"adult":4,"backdrop_path":10,"genre_ids":214,"id":215,"title":216,"original_language":27,"original_title":216,"overview":217,"popularity":218,"poster_path":10,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":220,"credit_id":221,"department":13,"job":50,"media_type":36},[23],937548,"Palimpsesto Salmantino","Con motivo de la investidura de Basilio Martín Patino como Doctor Honoris Causa por la Universidad de Salamanca,  el director juega con tres tiempos cinematográficos extraídos de sus largometrajes Caudillo (1974), Nueve cartas a Berta (1965) y Octavia (2002), tres películas que tienen a Salamanca como escenario y, a través de las cuales, reflexiona desde la metáfora sobre su propia vida y su obra cinematográfica.",0.6876,"2007-11-28",0,"6206ce2bcba36f006875e16c",{"adult":4,"backdrop_path":10,"genre_ids":223,"id":149,"title":150,"original_language":27,"original_title":150,"overview":151,"popularity":152,"poster_path":10,"release_date":153,"softcore":4,"video":4,"vote_average":154,"vote_count":9,"credit_id":224,"department":88,"job":89,"media_type":36},[54,23],"5748046dc3a36832290002bd",{"adult":4,"backdrop_path":10,"genre_ids":226,"id":227,"title":228,"original_language":27,"original_title":228,"overview":229,"popularity":230,"poster_path":231,"release_date":232,"softcore":4,"video":4,"vote_average":233,"vote_count":35,"credit_id":234,"department":13,"job":50,"media_type":36},[54],427180,"Del amor y otras soledades","María pertenece a la alta burguesía y siempre lo ha tenido todo en la vida, hasta un marido brillante, culto; en definitiva, un intelectual de quien presumir. Alejandro, en cambio, ha ido subiendo día a día, ha crecido con su trabajo, creyendo en sí mismo -es economista-, ha luchado con todas sus fuerzas para conseguir un nivel social superior y lo ha logrado. Es profesor de la Universidad, ejecutivo de una gran empresa, propietario de una hermosa villa en la afueras. Pero se encuentra en la edad de hacer balance de su pasado, de justificar sus porqués. Y lo cierto es que, pese a su triunfo material, no es feliz, no halla una razón de ser a su participación en la sociedad, no está conforme con nada. Está, en una palabra, a un paso de su fracaso interior. En esta tesitura descubre, a su vez, que María le acusa de haber dedicado más tiempo a triunfar que a quererla, que desea separarse. En definitiva, que su fracaso es, más que íntimo, total. (FILMAFFINITY, recortado)",0.9975,"\u002FAr9XUOvqsgNUo4q3M2jzDj33Glh.jpg","1969-09-11",6.7,"58342a10c3a3682fad002586",{"adult":4,"backdrop_path":10,"genre_ids":236,"id":237,"title":238,"original_language":27,"original_title":238,"overview":239,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":9,"credit_id":244,"department":13,"job":50,"media_type":36},[54],461449,"Tarde de domingo","Una joven se queda sola en su casa madrileña durante toda una tarde de domingo. 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