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He was a central member of what came to be called the \"Shōchiku Nouvelle Vague\" along with Nagisa Oshima and Masahiro Shinoda, and his works have been studied under the larger rubric of the Japanese New Wave. Like many of his New Wave cohorts, he felt restricted under the studio system and left Shōchiku in 1964 to start his own production company where he directed such films as Eros + Massacre. He has directed more than 20 films between 1960 and 2004. 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Paralelamente a la historia de Osugi, la película sigue las aventuras sub rumbo de dos estudiantes radicales de los 60: la ninfómana Eiko y el impotente y pirómano Wada, explorando teorías políticas e ideas sobre el amor libre mantenidas por Osugi. Fantasean sobre la Era Taisho, y Yoshida alterna y mezcla continuamente la línea entre la fantasía y la realidad hasta que las dos líneas argumentales se entremezclan. 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La trama es sencilla: un inútil (good-for-nothing) de un barrio pobre se enamora de la joven secretaria del padre de un rico amigo suyo. La mujer siente simpatía por él y trata de llevarlo por el buen camino.",1.9384,"\u002FoxdIe0pbtgFBLLmlnoD9yCReT8o.jpg","1960-07-05",6.9,16,"52fe49f99251416c910bef4d",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":66,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":204,"vote_count":183,"credit_id":217,"department":188,"job":193,"media_type":43},"\u002FuS7m450IxEn8l2J8TVXohPPKcG3.jpg",[111,110],105833,"Adiós, resplandor del verano","さらば夏の光","Road-movie filmada a lo largo siete países europeos. Un arquitecto en busca del modelo de una iglesia desaparecida y una mujer que ha dejado Japón para vivir en el extranjero se encuentran y viajan juntos. Cuando los sueños ilusorios del hombre y el pasado secreto de la mujer entrechocan, el nombre de una tierra olvidada aparece ante ellos: Nagasaki. 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