[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1089248:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":147},false,[],"Claire Parker was born on 31 August 1906 in Boston, Massachusetts, USA. She was a director and writer, known for The Trial (1962), Les oranges de Jaffa (1938) and Huilor (1938). She was married to Alexander Alexeieff.","1906-08-31","1981-10-03",0,null,1089248,"nm0662149","Directing","Claire Parker","Boston, Massachusetts, United States",0.5003,"\u002FbLM7Z8PpU5jTGpVeqiyNQCHixKs.jpg",{"cast":19,"crew":75},[20,34,48,56,65],{"adult":4,"backdrop_path":10,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"character":30,"credit_id":31,"order":32,"media_type":33},[22],99,828139,"Сны об Альфеони","ru","",0.9858,"\u002FmKRTOHvijBmpJLEY6B4vScRORK0.jpg","2002-04-30","Self (archive footage)","659a84b589b56100efc6fdd8",4,"movie",{"adult":4,"backdrop_path":10,"genre_ids":35,"id":37,"title":38,"original_language":39,"original_title":38,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":26,"credit_id":46,"order":47,"media_type":33},[22,36],16,340003,"Pinscreen","en","Alexander Alexeieff muestra a los animadores del NFBC cómo se utiliza su pantalla de alfileres. Mediante la modificación de unos clavos colocados en red, se consigue la animación de imágenes. Esta técnica entusiasmó a McLaren, pero le pareció excesivamente compleja.",1.1777,"\u002FA03dCK39Mgvd1owEhPc5Y6OFx2u.jpg","1973-05-12",6.2,5,"5552b35e92514162d100004b",1,{"adult":4,"backdrop_path":10,"genre_ids":49,"id":50,"title":51,"original_language":52,"original_title":51,"overview":26,"popularity":53,"poster_path":10,"release_date":54,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"character":26,"credit_id":55,"order":9,"media_type":33},[36,22],593885,"À Propos De Jivago","fr",0.7639,"1960-04-09","5cad00430e0a26310d592343",{"adult":4,"backdrop_path":10,"genre_ids":57,"id":58,"title":59,"original_language":52,"original_title":59,"overview":26,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"character":63,"credit_id":64,"order":47,"media_type":33},[22,36],1292376,"Pourquoi l'écran d'épingles ?",1.7867,"\u002F8DXO1gv3QfKunxRex43i6bFdUF9.jpg","2024-06-11","Archive footage","697761a7eef28af4adeafb63",{"adult":4,"backdrop_path":10,"genre_ids":66,"id":67,"title":68,"original_language":39,"original_title":68,"overview":26,"popularity":69,"poster_path":70,"release_date":71,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"character":72,"credit_id":73,"order":74,"media_type":33},[22,36],870211,"Jacques Drouin en relief",1.7541,"\u002FeMBIEMj5roBgdpznQGjm9OXWPDA.jpg","2009-01-01","Archive Footage","698097114eca97a3fe8c39a1",2,[76,87,91,104,117,125,132,140],{"adult":4,"backdrop_path":10,"genre_ids":77,"id":78,"title":79,"original_language":52,"original_title":79,"overview":26,"popularity":80,"poster_path":10,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"credit_id":84,"department":85,"job":86,"media_type":33},[36],129412,"Trois thèmes",1.0769,"1980-01-01",7,3,"60928f6beb0932006e8ab8f5","Writing","Writer",{"adult":4,"backdrop_path":10,"genre_ids":88,"id":78,"title":79,"original_language":52,"original_title":79,"overview":26,"popularity":80,"poster_path":10,"release_date":81,"softcore":4,"video":4,"vote_average":82,"vote_count":83,"credit_id":89,"department":13,"job":90,"media_type":33},[36],"52fe4b3cc3a368484e17e873","Director",{"adult":4,"backdrop_path":92,"genre_ids":93,"id":96,"title":97,"original_language":52,"original_title":97,"overview":26,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":102,"credit_id":103,"department":13,"job":90,"media_type":33},"\u002Fp5E6ZKqpMCWQYRQoOtIxG97ptzW.jpg",[36,94,95],14,27,129403,"Une nuit sur le Mont Chauve",0.8322,"\u002Fe7yCiM4Bpq8bT0b7ujA7bqQtmCg.jpg","1933-11-01",6.3,55,"52fe4b3cc3a368484e17e7bb",{"adult":4,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":52,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":114,"vote_count":115,"credit_id":116,"department":13,"job":90,"media_type":33},"\u002FfFmDNZ5BlGh411YKzpHaflry9Uh.jpg",[36,95],129409,"La nariz","Le Nez","Versión de la obra de Nikolai Gogol que relata la extraña historia de un hombre que, al despertar, se encuentra sin nariz.",0.9627,"\u002FfaX1hI85ANuiEpcr8CDB7F7uM86.jpg","1963-12-26",6.5,28,"52fe4b3cc3a368484e17e84f",{"adult":4,"backdrop_path":10,"genre_ids":118,"id":119,"title":120,"original_language":52,"original_title":120,"overview":26,"popularity":121,"poster_path":10,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":82,"credit_id":124,"department":13,"job":90,"media_type":33},[36],129411,"Tableaux d'une exposition",0.9045,"1972-01-01",5.9,"52fe4b3cc3a368484e17e861",{"adult":4,"backdrop_path":10,"genre_ids":126,"id":127,"title":128,"original_language":52,"original_title":128,"overview":26,"popularity":129,"poster_path":10,"release_date":130,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"credit_id":131,"department":13,"job":90,"media_type":33},[],1097648,"Huilor, de l'or",1.0508,"1937-01-01","6409a21254f6eb00993d0889",{"adult":4,"backdrop_path":10,"genre_ids":133,"id":134,"title":135,"original_language":52,"original_title":135,"overview":26,"popularity":136,"poster_path":137,"release_date":138,"softcore":4,"video":4,"vote_average":82,"vote_count":47,"credit_id":139,"department":13,"job":90,"media_type":33},[36],569525,"Parade des Sools",0.6045,"\u002Fg6jA7cvkynnPrHhBaWxFysLeSSl.jpg","1935-01-01","5c19ff1b92514152f3e27ad7",{"adult":4,"backdrop_path":10,"genre_ids":141,"id":142,"title":143,"original_language":52,"original_title":143,"overview":26,"popularity":144,"poster_path":10,"release_date":145,"softcore":4,"video":4,"vote_average":9,"vote_count":9,"credit_id":146,"department":13,"job":90,"media_type":33},[36,22],1591137,"En passant: Making of",0.6747,"1943-12-31","692e090e27c66bc3a3398f5c",{"profiles":148},[149],{"aspect_ratio":150,"height":151,"iso_3166_1":10,"iso_639_1":10,"file_path":17,"vote_average":9,"vote_count":9,"width":152},0.667,600,400]