[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F108764:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":17,"birthday":18,"deathday":19,"gender":20,"homepage":21,"id":22,"imdb_id":23,"known_for_department":24,"name":25,"place_of_birth":26,"popularity":27,"profile_path":28,"combined_credits":29,"images":370},false,[6,7,8,9,10,11,12,13,14,15,16],"Mikhaïl Konstantinovitch Kalatozov","Mikheïl Kalatozichvili","მიხეილ კალატოზიშვილი","მიხეილ კალატოზოვი","Михаил Калатозишвили","Michail Kalatosow","Micheil Kalatosischwili","Mikhaïl Kalatozov","M. Kalatozov","М. Калатозов","Mikheil Kalatozishvili","Mikhail Kalatozov (28 December 1903 – 27 March 1973; born Mikheil Kalatozishvili) was a Soviet film director of Georgian origin who contributed to both Georgian and Russian cinema film director best known for his films The Cranes Are Flying (1957) and Soy Cuba (1964). The former won the Palme d'Or at the 1958 Cannes Film Festival. In 1969, he received the People's Artist of the USSR accolade.\n\nKalatozov studied economics and changed many professions before starting his career as an actor and later — as a cinematographer. He directed several documentaries, including Their Kingdom (1928, with Nutsa Gogoberidze, the first Georgian female director) and Salt for Svanetia (1930).\n\nIn 1933, Kalatozov enrolled to the Russian State Institute of Performing Arts. Three years later, he oversaw Kartuli Pilmi, then he was suggested a place at the USSR State Committee for Cinematography. In 1939, he moved to Leningrad to work at Lenfilm as a director. 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Los fantasmas de los que fallecieron se le aparecen ahora para recordarle su culpabilidad y lo que debía haber hecho tanto antes como después del accidente, durante las labores de rescate de la tripulación.",3.1423,"\u002FuAGaksgutHHf5S4fiUKimhZRxS3.jpg","1969-12-23",6.063,75,"52fe448fc3a36847f809d1b3","Director",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":105,"original_title":104,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":112,"department":24,"job":99,"media_type":47},"\u002FacLH19t48M0FviMd9XM2MA3NWGE.jpg",[34],32015,"Soy Cuba","es","A través de cuatro historias se describe la lenta evolución de Cuba, del régimen de Batista a la revolución de Fidel Castro. Son cuatro narraciones que refuerzan el ideal comunista frente al capitalismo. 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Después de que su casa es bombardeada, Veronika se muda con la familia de Boris, en compañía de un primo con sus propias intenciones.",4.2592,"\u002FijPJ98012j35WFW6fVjnOPuTlCm.jpg","1957-10-12",7.922,482,"52fe46b19251416c9105c7a1",{"adult":4,"backdrop_path":127,"genre_ids":128,"id":129,"title":130,"original_language":38,"original_title":130,"overview":39,"popularity":131,"poster_path":132,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":135,"credit_id":136,"department":24,"job":99,"media_type":47},"\u002FuLe0A9wqAqldqrKblqFHD9w3odu.jpg",[34],80076,"Заговор обреченных",0.7299,"\u002FbFlxnqCAVOQongTRZX9HmS8CvVd.jpg","1950-06-06",5.1,9,"52fe47a29251416c91070c47",{"adult":4,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":38,"original_title":142,"overview":143,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"credit_id":149,"department":24,"job":99,"media_type":47},"\u002Fw5v52YJtol2h0KXCZzSt6Y18loA.jpg",[34,44],83539,"La carta que nunca fue enviada","Неотправленное письмо","Historia de un pequeño grupo de geólogos soviéticos en busca de diamantes en Siberia.",2.6824,"\u002FcyCUvLKYKYADpAR3pnb2ynOqlXT.jpg","1960-06-27",7.2,132,"52fe48a89251416c91094085",{"adult":4,"backdrop_path":151,"genre_ids":152,"id":153,"title":154,"original_language":38,"original_title":154,"overview":39,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":158,"vote_count":159,"credit_id":160,"department":24,"job":99,"media_type":47},"\u002FuVhY42dvcuKCGeljTLtcwYz8P5x.jpg",[35,34,64],92825,"Первый эшелон",1.4662,"\u002Fc2NtO7jBsTYcrlUXjZwLOhXk9Rz.jpg","1955-12-31",5.2,14,"52fe49109251416c750bc6db",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":164,"title":165,"original_language":67,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":173,"department":24,"job":99,"media_type":47},"\u002Fb4MOL7neFrJ2fnqRzpaJGRgt4nX.jpg",[34,35],141919,"El clavo en la bota","ლურსმანი ჩექმაში","La primera parte tiene lugar en un campo de batalla: Un soldado es enviado a notificar al cuartel general que un tren blindado está a punto de ser destruido y necesita urgente ayuda. En su camino se hiere un pie con un clavo que sobresale de la suela de su bota, y no logra arribar al cuartel a tiempo. El tren está perdido. La segunda parte del film transcurre en un tribunal popular en el que se juzga el accionar del protagonista:  A través del interrogatorio emergen distintos aspectos de la historia.",1.1795,"\u002FeaeVut7V7ODpinM1P0DXaYdu9wm.jpg","1931-12-31",6.6,17,"52fe4ac69251416c750ed967",{"adult":4,"backdrop_path":86,"genre_ids":175,"id":89,"title":90,"original_language":38,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"credit_id":176,"department":177,"job":178,"media_type":47},[44,34,88],"626fcf56c56d2d6f7484f08a","Crew","Additional Writing",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":183,"title":184,"original_language":38,"original_title":185,"overview":186,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":190,"vote_count":191,"credit_id":192,"department":24,"job":99,"media_type":47},"\u002FpOQSiZmvtE935Q4q6Z2M7bjGgov.jpg",[64,182],35,142770,"Tres hombres sobre una balsa","Верные друзья","Historia acerca de tres amigos de la infancia que se encuentran cuando ya son adultos, y deciden viajar con una balsa por un río moscovita. 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El montaje conduce a la audiencia a través de los rituales y hábitos desconocidos de la ciudad, como el esquilado de ovejas, la confección de sombreros y los ritos funerarios. La forma en que está formateada y cortada hace que la película se perciba tanto educativa como subjetivamente, en especial con el mensaje de cómo se puede ayudar a la lucha de esta aldea con la sal para sobrevivir. En general está bellamente filmada y la elección de las tomas ayuda a crear y transmitir la idea de un pueblo desesperado y aislado que sólo podría salvarse con un nuevo gobierno.",1.216,"\u002Fm5FVJsOWAdO8XwrOy9R08uhKagE.jpg","1930-05-24",6.8,31,"52fe4bff9251416c910ec3bd",{"adult":4,"backdrop_path":21,"genre_ids":207,"id":208,"title":209,"original_language":210,"original_title":209,"overview":39,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":20,"credit_id":215,"department":24,"job":99,"media_type":47},[76],260685,"მათი 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