[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F106779:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":447},false,[],"Albertina Carri (born 1973, Buenos Aires) is an Argentine screenwriter, movie producer, movie director and audiovisual artist.\n\nCarri was born in Buenos Aires in 1973, where she currently lives and works. She is the daughter of Ana María Caruso and Roberto Carri, both abducted during the last military dictatorship in Argentina. She has a son, Furio Carri Dillon Ros, registered in Argentina using a so-called triple filiation; he is son of a father, Alejandro Ros and two mothers, Albertina Carri and Marta Dillon.\n\nFrom Wikipedia, the free encyclopedia","1973-01-01",null,1,106779,"nm0140337","Directing","Albertina Carri","Buenos Aires, Argentina",0.6988,"\u002FnWPzHVaufdIY70ITmM2FGV9gsZh.jpg",{"cast":18,"crew":73},[19,34,47,62],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":32,"order":30,"media_type":33},"\u002Fa80wuk6deiqvScnX9eWdrB3kGEu.jpg",[22],99,440132,"Cuatreros","es","Albertina Carri quiere hacer una película sobre Isidro Velázquez, un forajido casi mítico del norte de Argentina que fue asesinado a tiros por la policía en 1967. No es la única interesada en él: su padre, el sociólogo Roberto Carri, escribió un libro sobre él llamado “Pre -Formas revolucionarias de violencia” y se hizo una película sobre su historia, aunque tanto el padre como la película desaparecieron durante la Guerra Sucia. Leyendas, familias, alineaciones políticas, cine: ninguna ofrece un punto de apoyo estable y el paso de Carri a través de ellas es como deambular por un jardín de senderos que se bifurcan, solo para llegar a un paisaje de tierra agrietada y espinas.",2.4063,"\u002F4ZcVaQ2slANbKsrDTN6co57Kwhx.jpg","2016-11-24",0,"Narrator","65bfabd3902012017ccd66df","movie",{"adult":4,"backdrop_path":35,"genre_ids":36,"id":37,"title":38,"original_language":25,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"character":45,"credit_id":46,"order":9,"media_type":33},"\u002FnxT9oKwx8frC6MDIbGEFFF8TISn.jpg",[22],193302,"Los rubios","'Los rubios' es un recorrido por diversos estados de la memoria a partir de la ausencia de los padres de la protagonista. Fragmentos, fantasías, relatos y fotos dan forma a una realidad que pertenece al pasado y se proyecta en el presente. Un equipo de filmación a la deriva, una actriz y unos Playmobiles felices construyen el universo fracturado en que la protagonista descubre una y otra vez lo imposible de la memoria.",1.8513,"\u002FvRrjM2ieeV91H3V3oX9EZ6eyBwE.jpg","2003-10-23",6,10,"Herself","5adf23670e0a2615e6009faf",{"adult":4,"backdrop_path":48,"genre_ids":49,"id":51,"title":52,"original_language":25,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":58,"character":59,"credit_id":60,"order":61,"media_type":33},"\u002F1tt3efjvIUczGHTFrZEa74JgDnd.jpg",[50],35,848334,"¡Caigan las rosas blancas!","Violeta es una joven directora que, luego de su ópera prima, una road-movie lesbofeminista llamada Las hijas del fuego, ahora intenta hacer un film pornoecológico. Fracasa en ese género tan atractivo como improbable y finalmente se escapa del set junto a sus amigas actrices y amantes de siempre. Vuelven a subirse a la van escolar que habían comprado para la primera película. El viaje sin destino pero con muchas paradas, las conducirá a San Pablo y finalmente a una enigmática isla muy cerca. Allí, Elvira, una extravagante mujer de 70 años lidera una comunidad de vampiras de toda etnia y edad que viven en armonía entre la voluptuosa naturaleza.",1.4833,"\u002FjwrjFmoLyR8F5jpJt2vUlBb5LpG.jpg","2025-05-15",6.5,2,"Camerawoman","682b600c6b3fe3073d2f7544",8,{"adult":4,"backdrop_path":8,"genre_ids":63,"id":64,"title":65,"original_language":25,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":58,"character":71,"credit_id":72,"order":58,"media_type":33},[22],1511477,"Mi mejor escena","“Mi mejor escena” es un documental que nos sumerge en el corazón del cine argentino contemporáneo a través de un gesto revelador: invitar a diez grandes directoras y directores a elegir y analizar la escena más significativa de sus propias filmografías. Voces tan singulares como las de Juan José Campanella, Lorena Muñoz, Albertina Carri, Demian Rugna y Marcelo Piñeyro reflexionan sobre el oficio, la emoción y las diversas formas de mirar el mundo.",1.1899,"\u002FfuStx1M0HrqJeQWSVj6tEnspwxs.jpg","2025-08-14",5.5,"","686fdc2fb8e689a7595412a5",[74,78,87,92,105,110,123,132,141,144,156,159,164,167,179,191,194,206,209,212,222,225,236,244,252,260,264,267,276,284,287,297,306,309,318,332,341,351,360,369,377,380,383,395,404,411,426,430,434,442],{"adult":4,"backdrop_path":48,"genre_ids":75,"id":51,"title":52,"original_language":25,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":58,"credit_id":76,"department":12,"job":77,"media_type":33},[50],"60e4d88207faa20077507ed1","Director",{"adult":4,"backdrop_path":8,"genre_ids":79,"id":80,"title":81,"original_language":25,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":86,"department":12,"job":77,"media_type":33},[22],862352,"Archivos intervenidos: Cine Escuela","Continuando la serie iniciada con Sucesos intervenidos (2014), el Museo del Cine de Buenos Aires presenta el segundo largometraje realizado íntegramente con material de sus archivos y por catorce destacados realizadores argentinos. Se trata de nueve números de Cine Escuela Argentino, un proyecto creado en 1948 por la Secretaría de Educación de Argentina durante el primer gobierno de Juan Domingo Perón. Éste promovía “el empleo del cinematógrafo como auxiliar didáctico destinado a completar la labor educadora y cultural, principalmente en lo que atañe a exaltar los sentimientos de la nacionalidad, con el ejemplo heroico de los próceres, la moral cristiana y los múltiples deberes civiles, grandes y pequeños”. De allí que la mayor parte de las películas producidas por Cine Escuela Argentino tuvieran como objeto la divulgación científica y la promoción turística de las diversas regiones del país.",1.287,"\u002F669fN63S6aOTOoMGPs4gCw2ME83.jpg","2016-04-18","611bbcd72dc44e002c438817",{"adult":4,"backdrop_path":35,"genre_ids":88,"id":37,"title":38,"original_language":25,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"credit_id":89,"department":90,"job":91,"media_type":33},[22],"65177031d4653709dd76b032","Camera","Camera Operator",{"adult":93,"backdrop_path":94,"genre_ids":95,"id":98,"title":99,"original_language":25,"original_title":99,"overview":71,"popularity":30,"poster_path":100,"release_date":101,"softcore":4,"video":4,"vote_average":102,"vote_count":103,"credit_id":104,"department":12,"job":77,"media_type":33},true,"\u002Fk3UUqfOU8dYahcZr225vKZoddjO.jpg",[96,97,50],16,18,298074,"Barbie también puede eStar triste","\u002Fs0AXffnA5oYEBZSY2fR9Aq0zS8w.jpg","2002-09-18",3.833,12,"54428d35c3a3683e0b0022f6",{"adult":93,"backdrop_path":94,"genre_ids":106,"id":98,"title":99,"original_language":25,"original_title":99,"overview":71,"popularity":30,"poster_path":100,"release_date":101,"softcore":4,"video":4,"vote_average":102,"vote_count":103,"credit_id":107,"department":108,"job":109,"media_type":33},[96,97,50],"54428d3c0e0a26632d0022ff","Writing","Writer",{"adult":4,"backdrop_path":111,"genre_ids":112,"id":113,"title":114,"original_language":25,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":120,"credit_id":121,"department":90,"job":122,"media_type":33},"\u002F4NoosADizDFdr3KLOQ6C5cgSaNr.jpg",[97,50],49984,"Silvia Prieto","Tras cumplir 27 años, Silvia Prieto decide tomar las riendas de su vida y hacer algunos cambios. Al mismo tiempo, de repente se ve entrelazada en la vida de otra mujer que también se llama Silvia Prieto.",2.1431,"\u002Fr19igTKKB5UFgysxUWsRmXaHVv.jpg","1999-02-24",7.1,54,"6534753eabdafc00cac370f8","Assistant Camera",{"adult":4,"backdrop_path":8,"genre_ids":124,"id":125,"title":126,"original_language":25,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":131,"department":12,"job":77,"media_type":33},[22],1198149,"Palabras ajenas","Realizado entre 2021 y 2022, el mediometraje homenajea la homónima obra del artista León Ferrari, un collage literario realizado entre 1965 y 1967 en el contexto de la guerra de Vietnam: replica su método a través de un montaje con archivos del encierro ocasionado por la pandemia. ¿Qué hacemos con los desechos de información que atraviesan nuestros cuerpos? A partir de esa interrogación, la cineasta compone una ecología de la imagen\u002Farchivo, reciclando los spams alienantes, banales, ridículos, desmesurados y\u002Fu odiantes frente a otras voces de resistencia.",0.8313,"\u002FewGR0ywlI1xD2fDiFDeApR0lZqH.jpg","2023-11-16","653ecb43308131011d8d861e",{"adult":4,"backdrop_path":8,"genre_ids":133,"id":134,"title":135,"original_language":25,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":140,"department":108,"job":109,"media_type":33},[97],1206201,"De vuelta","Margarita y su papá van de paseo a la calesita.",1.1174,"\u002Fb3LwMzIz7vEdMKWF03lyM8jxCzh.jpg","2004-09-24","6556b608ea84c71092284d53",{"adult":4,"backdrop_path":8,"genre_ids":142,"id":134,"title":135,"original_language":25,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":143,"department":12,"job":77,"media_type":33},[97],"6556b5be7f054000aca56ca2",{"adult":4,"backdrop_path":145,"genre_ids":146,"id":148,"title":149,"original_language":25,"original_title":149,"overview":150,"popularity":151,"poster_path":152,"release_date":153,"softcore":4,"video":4,"vote_average":57,"vote_count":44,"credit_id":154,"department":90,"job":155,"media_type":33},"\u002Fatfoe8sASsuGruWp0qNRq1adKJE.jpg",[147,97],10749,124304,"De eso no se habla","Leonor, una rica viuda, está muy orgullosa de su única hija, de trece años. Sólo hay un problema: la chica es enana. Leonor, toda una autoridad, ha logrado que la gente no hable del problema de su hija. Y, curiosamente, un soltero rico, por el que suspiraban las damas, se enamora de la muchacha.",1.5383,"\u002FsMdl025aldu01XzMsi0LUGjX0r4.jpg","1993-05-20","63d4d11422df2e007975d444","Second Assistant Camera",{"adult":4,"backdrop_path":48,"genre_ids":157,"id":51,"title":52,"original_language":25,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":58,"credit_id":158,"department":108,"job":109,"media_type":33},[50],"646b91f5c3514c2b0bf3605f",{"adult":4,"backdrop_path":20,"genre_ids":160,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":161,"department":162,"job":163,"media_type":33},[22],"64756261924ce600a75da31a","Production","Producer",{"adult":4,"backdrop_path":20,"genre_ids":165,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":166,"department":108,"job":109,"media_type":33},[22],"64756250924ce600dcb2c9a2",{"adult":4,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":25,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":176,"vote_count":177,"credit_id":178,"department":12,"job":77,"media_type":33},"\u002Fx42ljBaT4Y7sELPGVYo9hihLv9j.jpg",[97],518997,"Las Hijas del Fuego","La nueva obra de Albertina Carri, con escenas de sexo explícito, escapa a cualquier intento de categorización, y desafía al espectador con una búsqueda tan explícita como tangible, la de sus protagonistas y su propia erótica en un mundo que desdeña el placer de los sentidos.",3.6781,"\u002FtAX0OITUbq9waXPOJQwar9r2GZE.jpg","2018-10-28",4.2,34,"5adc77539251410ad501da90",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":182,"title":183,"original_language":25,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":188,"vote_count":189,"credit_id":190,"department":108,"job":109,"media_type":33},"\u002FeIxnorIDSgrTHYjkWilqBGTCvFs.jpg",[97],30688,"Géminis","Meme y Jeremías viven rodeados de un entorno familiar disfuncional. A un padre casi ausente se le opone una estructura matriarcal manejada por una madre tan posesiva como dominadora. La confusión general se incrementa cuando llega al hogar Ezequiel, el hijo mayor residente en Barcelona, para celebrar su matrimonio con Montse. En medio del estrés y del vértigo de los festejos, va creciendo la pasión incontrolable entre los dos hermanos menores...",2.5043,"\u002FHPE0E5ig1KvQ3jJZY4XdDAVB5h.jpg","2005-06-09",5.438,65,"5adf23379251411340009f41",{"adult":4,"backdrop_path":35,"genre_ids":192,"id":37,"title":38,"original_language":25,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"credit_id":193,"department":12,"job":77,"media_type":33},[22],"5adf23589251411333009f5f",{"adult":4,"backdrop_path":195,"genre_ids":196,"id":197,"title":198,"original_language":25,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"credit_id":205,"department":12,"job":77,"media_type":33},"\u002F8r9w1AMWQnlu0CwZsGppA2va81e.jpg",[97],83748,"La Rabia","Una tragedia que tiene lugar en la árida pampa argentina: el adulterio, el odio y varias diferencias acaban en una explosión de rabia y violencia que destroza a dos familias. Cuando Poldo se percata de que su gran camarada, el granjero Pichón, ha ofendido a la pequeña Nati, su hija muda, decide romper por completo la relación que tenían. Poldo también prohíbe a su mujer que vea a Pichón, sin sospechar que ambos mantienen una relación amorosa.",1.517,"\u002FrjQZdYXj7fqAyhGnXJT6dZWlY3R.jpg","2008-05-02",4.9,20,"5adf22f40e0a2615f900adf3",{"adult":4,"backdrop_path":180,"genre_ids":207,"id":182,"title":183,"original_language":25,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":188,"vote_count":189,"credit_id":208,"department":12,"job":77,"media_type":33},[97],"5adf23290e0a2615ea00b0c5",{"adult":4,"backdrop_path":195,"genre_ids":210,"id":197,"title":198,"original_language":25,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"credit_id":211,"department":108,"job":109,"media_type":33},[97],"5adf23019251411340009f13",{"adult":4,"backdrop_path":8,"genre_ids":213,"id":214,"title":215,"original_language":25,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":43,"credit_id":221,"department":12,"job":77,"media_type":33},[97],408779,"No quiero volver a casa","Es la historia de dos familias atravesadas por un asesinato. La familia de Rubén, un joven de 25 años sin ningún objetivo, y la de Ricardo, un empresario decadente con problemas irreconciliables con su socio y cuñado. Susana, una prostituta, será el vínculo entre estas dos familias.",0.8868,"\u002FdaiQx0T1YcldnXsTyoLCXyIp3oa.jpg","2001-02-15",5.7,"5adf2387c3a3686adc00ae63",{"adult":4,"backdrop_path":20,"genre_ids":223,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":224,"department":12,"job":77,"media_type":33},[22],"5adf22cac3a3686adc00adca",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":25,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":234,"vote_count":61,"credit_id":235,"department":12,"job":77,"media_type":33},"\u002FewrlIf9S7Tco98E9XyyrKyUldUU.jpg",[],520619,"Restos","¿Acumular imágenes es resistir? ¿Es posible devolverles ahora el gesto desafiante? Durante las décadas del sesenta y el setenta el cine también fue arma política. Una cantidad indeterminada de películas filmadas en la clandestinidad desafiaron la censura y la represión. Fueron un instrumento de denuncia y contrainformación. La máquina de amputar del terrorismo de estado las seccionó con métodos diversos. La mayoría de las películas quedaron perdidas. Desaparecidas ellas también.",1.488,"\u002FaiZyHMe4agaDEr85l50TxVFkdp1.jpg","2010-08-01",4.1,"5ae0d95b92514172fb005124",{"adult":4,"backdrop_path":8,"genre_ids":237,"id":238,"title":239,"original_language":25,"original_title":239,"overview":240,"popularity":241,"poster_path":8,"release_date":242,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":243,"department":12,"job":77,"media_type":33},[],1148141,"2020: La delgada capa de la tierra","El 2020 será inolvidable. Una pandemia inédita dejó al mundo paralizado y encerrado. La ciencia ficción pareciera habitarnos en el plano de lo real. La delgada capa de la tierra que habitamos nos demuestra convincente la fragilidad de nuestra existencia.",0.9344,"2021-03-04","64a4c190da10f000e225431a",{"adult":4,"backdrop_path":8,"genre_ids":245,"id":246,"title":247,"original_language":25,"original_title":247,"overview":248,"popularity":249,"poster_path":250,"release_date":242,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":251,"department":12,"job":77,"media_type":33},[97],1148146,"Bitácoras","Una serie de 5 cortos realizados por 5 destacadas directoras de cine, que narran en primera persona sus procesos creativos, su entorno y su vivencia del 2020 y la pandemia. Formas de crear, territorio, memoria y autobiografía en trabajos donde nos proponen asomarnos al mundo de hoy. Su mirada inmediata y urgente sobre el año en que la pandemia cambió nuestras vidas.",0.5595,"\u002F2P5tJLlRsEhlMlMUnP44rtGSEmW.jpg","64a4c448a0be28012eef4713",{"adult":4,"backdrop_path":8,"genre_ids":253,"id":254,"title":255,"original_language":25,"original_title":255,"overview":71,"popularity":256,"poster_path":257,"release_date":258,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":259,"department":12,"job":77,"media_type":33},[22,97],1152569,"Ofrenda",0.7352,"\u002FkSDdEjlTfF6jdFBzKXP7h4l5373.jpg","2023-07-27","64b30d940bb07600eb28d86e",{"adult":4,"backdrop_path":168,"genre_ids":261,"id":170,"title":171,"original_language":25,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":176,"vote_count":177,"credit_id":262,"department":108,"job":263,"media_type":33},[97],"5bd56f400e0a2622bd028edb","Screenplay",{"adult":4,"backdrop_path":35,"genre_ids":265,"id":37,"title":38,"original_language":25,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"credit_id":266,"department":108,"job":109,"media_type":33},[22],"5bf40cae0e0a264f6e03274b",{"adult":4,"backdrop_path":8,"genre_ids":268,"id":269,"title":270,"original_language":25,"original_title":270,"overview":271,"popularity":272,"poster_path":273,"release_date":274,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":275,"department":12,"job":77,"media_type":33},[22],585584,"Pets","En su incursión en el found footage, Albertina Carri montó un “manifiesto político pornoterrorista”, con el filo de su mirada ahora convertido en cincel para herir, rayar, esculpir en el celuloide encontrado un campo de conflictos como juego de superposiciones que cruza intervenciones reflexivas, humor punk y otras formas de una suerte de revuelo anarcofeminista con algunas coincidencias con el movimiento post porno más radical.  http:\u002F\u002Ffestivalesanteriores.buenosaires.gob.ar\u002Fbafici\u002Fhome12\u002Fweb\u002Fes\u002Ffilms\u002Fshow\u002Fv\u002Fid\u002F641.html",0.836,"\u002Fl705cPSw1GeXGjcQzgRaKwTp3fp.jpg","2012-04-12","5c7a37aec3a36819321804a2",{"adult":4,"backdrop_path":8,"genre_ids":277,"id":278,"title":279,"original_language":25,"original_title":279,"overview":71,"popularity":280,"poster_path":281,"release_date":282,"softcore":4,"video":4,"vote_average":61,"vote_count":9,"credit_id":283,"department":12,"job":77,"media_type":33},[50],692400,"Aurora",1.2965,"\u002F9bzksKgjpf4Q6vBEEH1NGZVlc6S.jpg","2001-01-01","5e9314aa875d1a001243ee3a",{"adult":4,"backdrop_path":8,"genre_ids":285,"id":214,"title":215,"original_language":25,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":43,"credit_id":286,"department":108,"job":109,"media_type":33},[97],"5ee4f6cc5b4fed002063bffa",{"adult":4,"backdrop_path":8,"genre_ids":288,"id":290,"title":291,"original_language":25,"original_title":291,"overview":71,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":295,"vote_count":9,"credit_id":296,"department":12,"job":77,"media_type":33},[22,289],10402,719898,"Historias de Argentina en vivo",0.9139,"\u002FfRuj7UxPnM8b2MOAHnu2LNo9rhO.jpg","2001-09-20",9,"5ef931b2d6d64d0037c635c4",{"adult":4,"backdrop_path":8,"genre_ids":298,"id":299,"title":300,"original_language":25,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":4,"video":4,"vote_average":61,"vote_count":9,"credit_id":305,"department":108,"job":109,"media_type":33},[22],722384,"Bernarda es la patria","Bernarda es la patria es un pastiche, un palimpsesto de ideas, imágenes, recuerdos, anécdotas y sonidos de aquellos revoltosos e irreverentes años 80 en Buenos Aires. Una película transformista que ensaya unir a Lorca con el universo del under.",1.1061,"\u002FfVCptUYeu57ZJbsSNFfctYtIuHi.jpg","2020-07-09","5f043540dd258900379f239c",{"adult":4,"backdrop_path":8,"genre_ids":307,"id":299,"title":300,"original_language":25,"original_title":300,"overview":301,"popularity":302,"poster_path":303,"release_date":304,"softcore":4,"video":4,"vote_average":61,"vote_count":9,"credit_id":308,"department":162,"job":163,"media_type":33},[22],"5f0b570e55bc35003620e323",{"adult":4,"backdrop_path":8,"genre_ids":310,"id":311,"title":312,"original_language":25,"original_title":312,"overview":313,"popularity":314,"poster_path":315,"release_date":316,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":317,"department":162,"job":163,"media_type":33},[97],731606,"Karakol","Clara no logra aceptar la reciente muerte de su padre: tiene que haber algo más. Así, revolviendo papeles encuentra señales que la llevan a un lago remoto en Tajikistán donde cree que su padre tenía otra vida. Pero una vez allá, ¿de qué sirve develar el secreto profundo de quien uno ama? ¿Qué sentido tiene revelarlo? ¿Acaso empeñarse a descubrirlo no responde solo a sus propias mezquindades? 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Nada de esto parece afectarle demasiado. En realidad, lo único que verdaderamente le importa es su Renault 12.",1.1538,"\u002FmZCzWbQBmT69sEHxPtxHf3DvYdB.jpg","2003-09-08",6.4,30,"66ede4f26c3b7a8d648cf65d","Crew","Thanks",{"adult":4,"backdrop_path":8,"genre_ids":333,"id":334,"title":335,"original_language":25,"original_title":335,"overview":336,"popularity":337,"poster_path":338,"release_date":339,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":340,"department":12,"job":77,"media_type":33},[],1373886,"Melancolía","Estrenado en el marco del Bafici, Archivos Incautados: Escuela de Cine es el segundo largometraje colectivo patrocinado por el Museo del Cine de Buenos Aires, esta vez con series propagandísticas producidas durante los años cincuenta, dirigidas a un público joven también protagonista de ellas. El carácter más reconcentrado de los materiales, menos heterogéneos que los acontecimientos intervenidos \"primer proyecto utiliza el antiguo noticiero \"Sucesos Argentinos\"\", hace que la película tenga un carácter más cohesivo en el reverso y retorno de las mismas imágenes, fluidas a través de diversas búsquedas de cada Director, creando diferentes looks y usos.",1.124,"\u002FsBxqJxbmJ5VGN7knc8bDyueZxyt.jpg","2016-02-14","67147330d5b7926e946ff7cd",{"adult":4,"backdrop_path":342,"genre_ids":343,"id":344,"title":345,"original_language":25,"original_title":345,"overview":346,"popularity":347,"poster_path":348,"release_date":349,"softcore":4,"video":4,"vote_average":220,"vote_count":295,"credit_id":350,"department":90,"job":122,"media_type":33},"\u002F7jzD0CE1z6fGBEORFnqZpYcHsbk.jpg",[97],385630,"Un muro de silencio","Una directora de cine llega a Buenos Aires para filmar sobre una mujer, cuyo esposo desapareció durante la dictadura.",1.6712,"\u002F4vNIPlU1WsJr1vYgxeIdf3jUjRH.jpg","1993-06-10","67bbc5e955e3994bbd46a341",{"adult":4,"backdrop_path":8,"genre_ids":352,"id":353,"title":354,"original_language":25,"original_title":354,"overview":355,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":359,"department":12,"job":77,"media_type":33},[97],1445210,"Fama","En un mundo imaginario donde ser famoso y conocido es lo que todos ansían, Violeta pasa sus días trabajando de doble de Dolores Fonzi, una estrella caprichosa ante el nuevo firmamento del cine. La relación entre Violeta y Dolores Fonzi no es lo que se podría decir muy buena. Fonzi ve en Violeta, su juventud y belleza, una contrincante que pone en peligro su posición de diva y se encarga de hacerlo notar en cada escena. Un día, cansada de los celos de la estrella, Violeta decide sacarla a Dolores Fonzi del medio. Violeta se encuentra en la encrucijada de seguir siendo la eterna imitadora de otra mujer, o buscar ser la Violeta más parecida a Violeta que hay en este mundo.",1.2154,"\u002FBusAJ0LuJbGA0M4UDCkinNI0qX.jpg","2003-10-28","67cc8dccf23e9940105bb2df",{"adult":4,"backdrop_path":8,"genre_ids":361,"id":362,"title":363,"original_language":25,"original_title":363,"overview":364,"popularity":365,"poster_path":366,"release_date":367,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":368,"department":162,"job":163,"media_type":33},[22],1450796,"Una vez, un circo","La llegada del Circo Estatal Ruso a Argentina en 1966 fue un evento sin precedentes. Por primera vez, artistas soviéticos cruzaron la Cortina de Hierro hacia Latinoamérica. 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Elige lo último u sufre una extraña amnesia olvidando una año de su vida. Al recobrar la conciencia trata de retomar el vínculo con sus amigos y averiguar qué hizo durante sus años perdidos.",2.0432,"\u002FaEAgJCmWBgAQmLJrFAdyuna4v4z.jpg","1995-10-12",4.6,4,"69c4907ebf456155eb146312",{"adult":4,"backdrop_path":8,"genre_ids":396,"id":397,"title":398,"original_language":399,"original_title":398,"overview":71,"popularity":400,"poster_path":401,"release_date":402,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":403,"department":12,"job":77,"media_type":33},[],1685956,"Punto Impropio","en",0.8292,"\u002FjEhcaFodqrtSWR8lsXVIjw7cvTD.jpg","2015-01-01","69f4824ccf55e03ad6d58ae4",{"adult":4,"backdrop_path":8,"genre_ids":405,"id":406,"title":407,"original_language":25,"original_title":407,"overview":408,"popularity":409,"poster_path":8,"release_date":71,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":410,"department":12,"job":77,"media_type":33},[],1753587,"Cine vivo: Un artefacto","Cine vivo es un cortometraje, esta performance, un libro. Un artefacto que muta según sus necesidades narrativas y espaciales. Se configura a sí mismo tomando elementos prestados de las diferentes disciplinas, pero también en su nombre reconoce el proceso de descomposición de la materia que hace la vida para seguir existiendo y aferrándose a otro organismo. La condición de la muerte como una parte inexorable de la vida. Todo lo impuro de la escritura mezclándose con lo impuro del cine para conformar este nuevo ciberorganismo vital. Un artefacto venido del pasado para ser lanzado al futuro como una cápsula de posibilidades. Una filosofía, una ética y una erótica que se retroalimentan de historias, de prácticas, de muertes, de olvidos, de procesos, de la nobleza de la banalidad, diría Marguerite Duras, de químicos y de tiempo. 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Cada episodio pondrá en escena una nueva historia que llega al laboratorio de la mano de personajes que buscan averiguar su identidad, reconocer a un hijo o a un hermano, acceder a una herencia o identificar una enfermedad genética, entre otras. 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