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Por unas circunstancias, conseguir el dinero lleva más tiempo del previsto y el director se va a Viena sin él. Pero Pichler se considera un hombre de confianza y, junto con su ayudante Wittek, siguen al director hasta Viena con el dinero guardado en una bolsa. Sin embargo, en Viena, los dos provincianos son confundidos con invitados del director y pasan la noche en un elegante club nocturno. Pero cuando resulta que el director no va a ir al club nocturno esa noche, Pichler y Wittek tienen que pagar la cuenta con el dinero del banco. 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C. Fields tuvo el control casi absoluto. Aparte de ser el protagonista, el actor firmó el guión con el curioso seudónimo de Mahatma Kane Jeeves. En realidad la trama es completamente disparatada, casi mera excusa para acumular gags sobre el personaje de Egbert Sousé, una especie de 'alter ego' de Fields, o al menos de la imagen que tenía de él el gran público. El actor da vida a un borrachín, que por casualidad detiene a un atracador de bancos. A partir de ahí nace una fulgurante carrera de detective, prácticamente a su pesar, pues él incluso intenta participar en una estafa. 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La única solución sería que una viuda millonaria destinara su fortuna a sacar al estado de una situación tan apurada. 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