[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F10346:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":10,"birthday":11,"deathday":12,"gender":13,"homepage":14,"id":15,"imdb_id":16,"known_for_department":17,"name":18,"place_of_birth":19,"popularity":20,"profile_path":21,"combined_credits":22,"images":413},false,[6,7,8,9],"ロベール・ブレッソン","로베르 브레송","Робер Брессон","로버트 브레송","Director y escritor de cine francés, autor de una serie de películas en las cuales intentó comunicar a través de un discurso de total y riguroso ascetismo todo aquello que escapa a la atención ordinaria. Nacido en Bromont-Lamothe (Puy de Dôme), practicó la pintura y la fotografía antes de dirigir un mediometraje satírico interpretado por el payaso Beby, Les affaires publiques (1934). Pero el verdadero inicio de su carrera cinematográfica es Los ángeles del pecado (1943), obra de inspiración cristiana y estética barroca, escrita en colaboración con el reverendo Bruckberger, monje dominico, y Jean Giraudoux. A continuación realizó una adaptación de Diderot, dialogada por Jean Cocteau, Les dames du Bois de Boulogne (1945), película que, aunque no convenció al gran público, marcó profundamente a cierta crítica de vanguardia y a los futuros autores de la nouvelle vague. Esta película situó a Bresson entre los grandes creadores de su generación, condición que confirmó, con mágica sobriedad, en la adaptación cinematográfica de la novela de Georges Bernanos, El diario de un cura de campaña (1951). A partir de Un condenado a muerte se ha escapado (1956), Bresson prescindió de los actores profesionales y prefirió utilizar personas ajenas a la interpretación, que él denomina \"modelos\". Se dedicó a explotar una forma sobria, rigurosa y poética, en los límites de la abstracción, donde los gestos, las miradas y el sonido pasan a un primer plano, como lo demuestra en Pickpocket (1959), su obra maestra. Fiel a este estilo tan personal, profundiza aún más en la faceta ascética en Procès de Jeanne d'Arc (1962); o utiliza la metáfora como apología en Au hasard Balthazar (1966). La temática atormentada de Dostoievski (crimen, culpabilidad, castigo y perdón) impregna sus siguientes películas: Une femme douce (1969) y Cuatro noches de un soñador (1972). Tras rodar la notable Lancelot du Lac (1974), emprendió un severo estudio de su época analizando el desasosiego existencial que devora a la juventud contemporánea en El Diablo, probablemente (1977). Su última película El dinero (1983), basada en una obra de Tolstói, constituye una excelente síntesis de toda su obra cinematográfica. Hacia el final de su etapa de director, publicó el libro Notas sobre el cinematógrafo (1975), un compendio de aforismos con los que defiende su visión del cinematógrafo que él distingue del cine.","1901-09-25","1999-12-18",2,null,10346,"nm0000975","Directing","Robert Bresson","Bromont-Lamothe, Puy-de-Dôme, Auvergne, France",1.3276,"\u002FvgQWc59n5tnlHMD1FdKOoRe2iP7.jpg",{"cast":23,"crew":142},[24,39,53,60,74,84,96,106,116,133],{"adult":4,"backdrop_path":25,"genre_ids":26,"id":28,"title":29,"original_language":30,"original_title":29,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":36,"credit_id":37,"order":35,"media_type":38},"\u002FxYftDzyfMQu6vCiLn64X10VaSsX.jpg",[27],99,142541,"Un metteur en ordre: Robert Bresson","fr","",1.0544,"\u002FsYNSN3d2nVEE8JiyNNMJkE20q4t.jpg","1966-05-11",0,"Self","52fe4ae49251416c750f1921","movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":42,"title":43,"original_language":44,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":51,"character":36,"credit_id":52,"order":35,"media_type":38},"\u002FkYu9XKhQYgpGe5SHzhdxXDi8SCu.jpg",[27],203663,"El camino a Bresson","nl","De weg naar Bresson","Dos jóvenes admiradores del director de cine Robert Bresson consiguieron entrevistarlo en Cannes, donde se presentaba su film 'L’argent' (1983). El documental analiza la concepción del cine y el estilo de Bresson. Contiene también entrevistas con personalidades como Andrei Tarkovski, Louis Malle, Paul Schrader o Dominique Sanda (actriz del film 'Un femme douce'). Como colofón, el encuentro con Bresson, en su habitación de hotel.",1.9203,"\u002FotBmqsnxaFKrByqhHKGfAf4vZ4Y.jpg","1984-05-13",7,10,"52fe4ce3c3a368484e1cb57f",{"adult":4,"backdrop_path":14,"genre_ids":54,"id":55,"title":56,"original_language":30,"original_title":56,"overview":31,"popularity":57,"poster_path":14,"release_date":58,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":36,"credit_id":59,"order":13,"media_type":38},[27],981849,"Festivals 66 Cinéma 67",0.9818,"1967-05-30","6294ba3509ed8f12555225d2",{"adult":4,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":65,"original_title":64,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"character":36,"credit_id":72,"order":73,"media_type":38},"\u002FpmmPUfLIGa80TFJd8bDSz9SDGzY.jpg",[27],219292,"What Is Cinema?","en","David Lynch, Mike Leigh, Jonas Mekas, Yvonne Rainer, Bill Viola, Kelly Reichardt, Costa-Gavras, Ken Jacobs, Michael Moore, el crítico J. Hoberman y, ya con imágenes de archivo, Robert Altman, Robert Bresson, Alfred Hitchcock, Chantal Akerman, Akira Kurosawa, Abbas Kiarostami... todos ellos responden qué es el cine.",1.6129,"\u002Fa7lscT93aGgvD6W5Po7dTVLdv19.jpg","2013-09-06",6.4,25,"57338fea92514140b40006b7",4,{"adult":4,"backdrop_path":14,"genre_ids":75,"id":76,"title":77,"original_language":30,"original_title":77,"overview":31,"popularity":78,"poster_path":79,"release_date":80,"softcore":4,"video":4,"vote_average":81,"vote_count":13,"character":82,"credit_id":83,"order":35,"media_type":38},[27],433492,"Robert Bresson - Ni vu, ni connu",1.3554,"\u002FqzILX6gAn1dxRugoD7SCgX0GsWU.jpg","1965-06-17",9,"Self - Interviewee","586f0e02c3a368418300197b",{"adult":4,"backdrop_path":14,"genre_ids":85,"id":86,"title":87,"original_language":88,"original_title":87,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"character":36,"credit_id":95,"order":35,"media_type":38},[27],435188,"Zum Beispiel Bresson","de","Documental sobre el rodaje de Mouchette de Robert Bresson",0.6937,"\u002F3XORw2JcsLhWCfz0Iv0oSUghasy.jpg","1967-04-01",6,5,"587ba1e59251413f3301079c",{"adult":4,"backdrop_path":14,"genre_ids":97,"id":98,"title":99,"original_language":30,"original_title":99,"overview":31,"popularity":100,"poster_path":101,"release_date":102,"softcore":4,"video":4,"vote_average":35,"vote_count":35,"character":103,"credit_id":104,"order":105,"media_type":38},[27],479988,"Mag Bodard, un destin",1.3365,"\u002FfgMcd7CxvNOd1lUP5EXr1ZivdL5.jpg","2005-10-01","Self (archive 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Cannes",2.2112,"\u002Fas5HrR2xYEko9jY1QQHwKfJImy6.jpg","2021-07-02",1,"69c570a76cf4a364bef9aa96",18,{"adult":4,"backdrop_path":117,"genre_ids":118,"id":121,"origin_country":122,"original_language":30,"original_name":124,"overview":31,"popularity":125,"poster_path":126,"first_air_date":127,"softcore":4,"name":124,"vote_average":128,"vote_count":129,"character":36,"credit_id":130,"episode_count":113,"first_credit_air_date":131,"media_type":132},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[27,119,120],10751,10767,79313,[123],"FR","Cinépanorama",18.8807,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04",8.7,3,"63b06430875d1a00a01f2663","1960-01-23","tv",{"adult":4,"backdrop_path":14,"genre_ids":134,"id":135,"origin_country":136,"original_language":30,"original_name":137,"overview":31,"popularity":138,"poster_path":139,"first_air_date":140,"softcore":4,"name":137,"vote_average":35,"vote_count":35,"character":36,"credit_id":141,"episode_count":13,"first_credit_air_date":34,"media_type":132},[27],328500,[123],"Pour le plaisir",5.9354,"\u002Fi9iCdQwd2m876zwgbBwe84w7em3.jpg","1964-11-04","6a5559136c8f57b1ec046a0b",[143,156,161,174,177,191,194,207,210,223,226,239,253,257,261,275,289,293,296,309,322,334,337,340,350,353,356,368,371,382,390,398,401,404,407,410],{"adult":4,"backdrop_path":144,"genre_ids":145,"id":146,"title":147,"original_language":30,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":153,"credit_id":154,"department":17,"job":155,"media_type":38},"\u002FuwF6l5rNtxwkgA2TuXoSJXJrchD.jpg",[115],1561,"Mouchette","Retrato de la triste existencia de una chica que es maltratada por su padre y humillada por la gente de su pueblo.",3.0832,"\u002F8HAn6m2cKZRkCh4VU0AoJ2X6WSZ.jpg","1967-03-28",7.4,289,"52fe42fdc3a36847f8032467","Director",{"adult":4,"backdrop_path":144,"genre_ids":157,"id":146,"title":147,"original_language":30,"original_title":147,"overview":148,"popularity":149,"poster_path":150,"release_date":151,"softcore":4,"video":4,"vote_average":152,"vote_count":153,"credit_id":158,"department":159,"job":160,"media_type":38},[115],"52fe42fec3a36847f8032473","Writing","Screenplay",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":165,"title":166,"original_language":30,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":173,"department":159,"job":160,"media_type":38},"\u002F5ApVROxPul7vu9NiB2DJWqlA3kE.jpg",[164,115],80,690,"Pickpocket","Michel es un carterista que no roba por necesidad como tampoco lo hace por vicio, no es cleptómano, roba para darse a sí mismo un valor, porque el robo es el medio de expresar sus sentimientos.",9.3768,"\u002F8fQelCr8NrGj0lQjTecm48tHaMc.jpg","1959-12-16",7.281,596,"52fe426bc3a36847f801d0d7",{"adult":4,"backdrop_path":162,"genre_ids":175,"id":165,"title":166,"original_language":30,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":176,"department":17,"job":155,"media_type":38},[164,115],"52fe426bc3a36847f801d0d1",{"adult":4,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":30,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":188,"credit_id":189,"department":159,"job":190,"media_type":38},"\u002F7LPz7NEYtLXcV44j0kRLLkZ54yH.jpg",[115],20108,"Al azar, Baltasar","Au hasard Balthazar","Baltasar es un burro que vive sus primeros años rodeado de la alegría y los juegos de los niños hasta llegar a la edad adulta, en que es utilizado como una bestia de carga y maltratado por sus diferentes amos.",3.8264,"\u002FnYKaxsYt4TPfttu1cXB6D1soPS5.jpg","1966-05-25",7.548,532,"52fe43d7c3a368484e001505","Writer",{"adult":4,"backdrop_path":178,"genre_ids":192,"id":180,"title":181,"original_language":30,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":188,"credit_id":193,"department":17,"job":155,"media_type":38},[115],"52fe43d7c3a368484e0014ff",{"adult":4,"backdrop_path":195,"genre_ids":196,"id":197,"title":198,"original_language":30,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"credit_id":206,"department":17,"job":155,"media_type":38},"\u002FmAtCjCDYN3c5Bjm6P4wOmDMlJLv.jpg",[115],32097,"El diablo probablemente","Le Diable probablement","Charles, un joven de veinte años (Antoine Monnier), aparece muerto en el cementerio parisino de Père-Lachaise. ¿Se trata de un suicidio o de un asesinato? Charles vive entre dos amores, Alberte (Tina Irissari) y Edwige (Laetitia Carcano). Inmerso en conversaciones existenciales con su amigo Michel (Henri de Maublanc), desprecia tanto “la felicidad de la tarjeta de crédito” como el compromiso político; no se deja seducir ni por el anarquismo, ni por la militancia ecologista ni por las drogas. Una serie de encuentros casuales le llevan a descubrir en sí mismo el instinto de la autodestrucción...",2.8162,"\u002F6wBUp7iagH0NeRqPPhYxtx0wsXq.jpg","1977-06-15",6.8,136,"52fe44bb9251416c9101ae93",{"adult":4,"backdrop_path":195,"genre_ids":208,"id":197,"title":198,"original_language":30,"original_title":199,"overview":200,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":205,"credit_id":209,"department":159,"job":160,"media_type":38},[115],"52fe44bb9251416c9101ae99",{"adult":4,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":30,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":221,"credit_id":222,"department":17,"job":155,"media_type":38},"\u002Fa62YSsCwYd5EyzB5EbaeX2FmM4m.jpg",[164,115],42112,"El dinero","L'Argent","Adaptación de un relato breve de Leon Tolstoi: \"El billete falso\". Yvon es un joven que es injustamente acusado de traficar con dinero falso. A partir de ese error judicial, la adversidad dominará su vida. Durante su estancia en prisión, el ambiente en el que se mueve lo va degradando y corrompiendo hasta convertirlo en una persona sin escrúpulos ni principios morales.",4.2073,"\u002F7KPq52V27rCukeQUjCflX8DSsZ9.jpg","1983-05-18",6.938,304,"52fe45edc3a36847f80e2a7d",{"adult":4,"backdrop_path":211,"genre_ids":224,"id":213,"title":214,"original_language":30,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":220,"vote_count":221,"credit_id":225,"department":159,"job":190,"media_type":38},[164,115],"52fe45eec3a36847f80e2a83",{"adult":4,"backdrop_path":227,"genre_ids":228,"id":229,"title":230,"original_language":30,"original_title":231,"overview":232,"popularity":233,"poster_path":234,"release_date":235,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"credit_id":238,"department":17,"job":155,"media_type":38},"\u002FluytZGyalDVIBy2jDk51EKV45T8.jpg",[115],43376,"Diario de un cura rural","Journal d'un curé de campagne","Film inspirado en la novela homónima de Georges Bernanos. Un joven sacerdote llega a una pequeña localidad del norte de Francia, donde se hace cargo de su primera parroquia. A pesar de que desarrolla sus labores sacerdotales con diligencia y humildad, es ignorado e incluso rechazado por sus feligreses. Convencido de que ha fracasado como pastor de almas, sufre una profunda crisis de fe. En tales circunstancias, tendrá que afrontar, además, una grave enfermedad.",4.8509,"\u002F48EFEil3vdPJOpQ5WnfpFfTd6J9.jpg","1951-02-07",7.5,291,"52fe4643c3a36847f80f5363",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":243,"title":244,"original_language":30,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":4,"video":4,"vote_average":250,"vote_count":251,"credit_id":252,"department":17,"job":155,"media_type":38},"\u002FlNe2z2qQf0G5gzM51ZyJD0zCDVk.jpg",[115,242],53,15244,"Un condenado a muerte se ha escapado","Un condamné à mort s'est échappé","Abril de 1943, en plena Segunda Guerra Mundial. Fontaine, un joven de 27 años miembro de la Resistencia francesa, que lucha contra la ocupación nazi, es arrestado por la Gestapo para ser interrogado.",3.9141,"\u002Fdly2pAkej6rFRwBElN3XutPgLR4.jpg","1956-11-11",7.955,642,"52fe46469251416c75072ffb",{"adult":4,"backdrop_path":240,"genre_ids":254,"id":243,"title":244,"original_language":30,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":4,"video":4,"vote_average":250,"vote_count":251,"credit_id":255,"department":159,"job":256,"media_type":38},[115,242],"52fe46469251416c75073001","Scenario Writer",{"adult":4,"backdrop_path":240,"genre_ids":258,"id":243,"title":244,"original_language":30,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":4,"video":4,"vote_average":250,"vote_count":251,"credit_id":259,"department":159,"job":260,"media_type":38},[115,242],"52fe46469251416c75073007","Dialogue",{"adult":4,"backdrop_path":262,"genre_ids":263,"id":265,"title":266,"original_language":30,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":272,"vote_count":273,"credit_id":274,"department":17,"job":155,"media_type":38},"\u002FkpjWEZvoMhiinhDArNJ31VXvgh5.jpg",[115,264],36,48764,"El proceso de Juana de Arco","Procès de Jeanne d'Arc","Ruan, Normandía, 1431, durante la guerra de los Cien Años. Después de ser capturada por soldados franceses pertenecientes a una facción contraria, Juana de Arco, la Doncella de Orleans, es juzgada injustamente por un tribunal eclesiástico supervisado por sus enemigos ingleses.",2.5109,"\u002FacbrwEkFiWzISTYNoFkPRM2Zm86.jpg","1963-02-13",7.2,156,"52fe4774c3a36847f8136877",{"adult":4,"backdrop_path":276,"genre_ids":277,"id":279,"title":280,"original_language":30,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":286,"vote_count":287,"credit_id":288,"department":159,"job":256,"media_type":38},"\u002FoyNMFo2m3HhaKvWKv0m057keDC6.jpg",[115,278],10749,49845,"Las damas del bosque de Bolonia","Les Dames du bois de Boulogne","Hélène tiene la desagradable impresión de que su amante, Jean, se le escapa. Mediante artimañas se entera, para su consternación, de que Jean ya no la ama. Herida, Hélène decide vengarse y pone en marcha un meticuloso plan. Organiza a Jean un encuentro con Agnès, una atractiva bailarina de cabaret a la que ha tomado bajo su protección. Como Hélène había previsto, el plan funciona perfectamente y Jean se enamora inmediatamente de la joven. Consciente de su difícil pasado, Agnès  confiesa, en una carta escrita a Jean, que sólo es una chica perdida. Pero Jean se niega a leer la carta...",2.6941,"\u002Fzoe3SaNz05jBdh92eVghIIY4NvS.jpg","1945-09-21",6.9,125,"52fe47abc3a36847f8141cd1",{"adult":4,"backdrop_path":276,"genre_ids":290,"id":279,"title":280,"original_language":30,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":286,"vote_count":287,"credit_id":291,"department":159,"job":292,"media_type":38},[115,278],"52fe47abc3a36847f8141cd7","Adaptation",{"adult":4,"backdrop_path":276,"genre_ids":294,"id":279,"title":280,"original_language":30,"original_title":281,"overview":282,"popularity":283,"poster_path":284,"release_date":285,"softcore":4,"video":4,"vote_average":286,"vote_count":287,"credit_id":295,"department":17,"job":155,"media_type":38},[115,278],"52fe47abc3a36847f8141ccb",{"adult":4,"backdrop_path":297,"genre_ids":298,"id":299,"title":300,"original_language":30,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":306,"vote_count":307,"credit_id":308,"department":17,"job":155,"media_type":38},"\u002FrM3lahhi1NnqErDb1Gt8xwCYlw7.jpg",[115,278,264],55848,"Lancelot del Lago","Lancelot du Lac","El rey Arturo ha enviado cien caballeros para recuperar el Santo Grial. Arturo queda consternado cuando resulta que la misión fue inútil y que 70 caballeros han muerto en su curso. Entre los que han regresado se encuentra Lancelot, el amante de la reina Ginebra. Está atormentado por la muerte de sus camaradas y dividido entre su deber y su amor por la reina. Quiere poner fin a la aventura, pero Ginebra se niega. Ella insinúa que en lugar de ser asesinados por los enemigos, los caballeros enviados a buscar el Grial se enfrentaron entre sí, siendo Lancelot el principal de ellos. Para empeorar las cosas, muchos caballeros de Camelot desconfían o desprecian abiertamente a Lancelot, quien es visto como un favorito incluso entre la Mesa Redonda, salvo unos pocos, entre ellos Gawain y Lionel, quienes son sus mejores amigos entre los caballeros.",2.5653,"\u002FmvHFca4ndirMPdgU8eWSVXgtSbT.jpg","1974-04-23",6.2,118,"52fe48e2c3a36847f817eaed",{"adult":4,"backdrop_path":310,"genre_ids":311,"id":312,"title":313,"original_language":30,"original_title":314,"overview":315,"popularity":316,"poster_path":317,"release_date":318,"softcore":4,"video":4,"vote_average":319,"vote_count":320,"credit_id":321,"department":159,"job":190,"media_type":38},"\u002F5kh4VMRflkmlOcvnB0WW2LgbZg9.jpg",[115,278],55847,"Cuatro noches de un soñador","Quatre nuits d'un rêveur","Una noche en Paris Jacques, un joven pintor, se cruza con una joven que está a punto de suicidarse saltando desde el puente de Pont-Neuf. 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