
Phil Tippett
Visual Effects
- تاريخ الميلاد:
- 1951-09-27
- مكان الميلاد:
- Berkeley, California
السيرة الذاتية
Phil Tippett is an American filmmaker and multi-award-winning visual effects supervisor and producer, specializing in creature design, stop-motion, and computerized character animation. Over his career, he has assisted ILM, DreamWorks, and his own company Tippet Studios, with his work appearing in movies such as the original Star Wars trilogy, Jurassic Park, and RoboCop.
معروف بـ
الأعمال

Walking with Animators

Why Dinosaurs?
A Celebration of Tenacity

Lost to Time: Unearthing the Primevals

RoboDoc: The Creation of RoboCop

Jurassic Punk

Slice!

LIGHT & MAGIC

Icons Unearthed: Star Wars

In Search of Tomorrow

Star Wars : La Révolution Visuelle

Making Magic: The Artistry of Karel Zeman

أفلام صاغت حياتنا

Phil Tippett: Mad Dreams and Monsters

The Creative Brain

The Last Drive-in with Joe Bob Briggs
The Secrets of Sinbad: Phil Tippett on Ray Harryhausen

Corporate Wars: The Making of 'RoboCop 2'

Secrets of the Force Awakens: A Cinematic Journey
My Life In Monsters

Creature Designers: The Frankenstein Complex

The Real History of Science Fiction

Worse Than the Demon

Ray Harryhausen: Special Effects Titan

Return to Jurassic Park

RKO Production 601: The Making of “Kong, the Eighth Wonder of the World”

Vision of a Future Passed: The Prophecy of 2001

Standing on the Shoulders of Kubrick: The Legacy of 2001

Amazing! Exploring the Far Reaches of Forbidden Planet

American Scary

The Sci-Fi Boys

Ray Harryhausen: The Early Years Collection

Empire of Dreams: The Story of the Star Wars Trilogy

Starship Troopers: Know Your Foe

Flesh + Steel: The Making of 'RoboCop'

The Making of 'DragonHeart'

The Making of 'Jurassic Park'

Willow: The Making of an Adventure

From Star Wars to Jedi: The Making of a Saga

Classic Creatures: Return of the Jedi

حرب النجوم : عودة الجيداي

The Making of The Empire Strikes Back

SP FX: The Empire Strikes Back

Piranha

حرب النجوم
Inside the Federation

Howard the Doc or: How I Learned to Start Quacking and Love the Bomb

Fleshing Out the Hollow Man