[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F544569:{\"language\":\"ar-SA\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":330},false,[6],"Mohammed Lakhdar Hamina","Mohammed Lakhdar-Hamina (26 February 1934 – 23 May 2025) was an Algerian film director and screenwriter. He is best known for his 1975 film Chronicle of the Years of Fire, which won the Palme d'Or at the 1975 Cannes Film Festival and became the first Arab and African film to win the award. He is one of the most prominent figures in contemporary Arabic cinema.\n\nBorn on 26 February 1934 at M'Sila, Algeria, Lakhdar began his studies in his native country. He first became interested in the world of cinema at the Lycée Carnot in Cannes, France. After beginning studies of agriculture and law at French universities, he deserted the French Army in 1958 and joined the anti-French Algerian Resistance in Tunisia, where he worked for the provisional Algerian government in exile. His film career began as he joined the Algerian Maquis (guerrillas).\n\nIn 1959, the Algerian National Liberation Front (FLN) sent him to Prague, where he pursued his cinematography studies at the cinema school, Film and TV School of the Academy of Performing Arts in Prague, the Czech academy for cinema and television. However, he quit his studies in order to work for the Barrandov Studios. Also in 1959, the Algerian ministry of information in exile commissioned Lakhdar-Hamina, together with Djamel Chanderli and Pierre Chaulet, to produce a movie about Algeria's predicament under French colonialism. The documentary film, titled Djazzaïrouna (Our Algeria), aimed at portraying the goals pursued by the Algerian nationalist guerrilla movement, the Maquis.\n\nIn 1960, he joined the Service Cinema, created by the Algerian government in exile.\n\nIn 1961, Lakhdar-Hamina collaborated with Chanderli in the movie Yasmina, which tells the story of a refugee girl who must flee her village following its destruction. Lakhdar-Hamina collaborated again with Chanderli in the 1962 The people's voice and 1961 The guns of freedom. Upon Algerian independence in 1962, he returned to his homeland where, together with his colleagues from Tunisian exile, he founded the Office des actualités algériennes, of which he was director from 1963 until its dissolution in 1974.\n\nFrom 1981 until 1984, he acted as director of the Office National pour le Commerce et l'Industrie Cinématographique, the most important institution for furtherance of the French film industry. One of his most recent films, The last image, was part of the Official Selection at Cannes Film Festival in 1986 and was nominated for the Golden Palm.\n\nLakhdar-Hamina's son, Malik Lakhdar-Hamina, became well known after the release of his first long film, Autumn: October in Algiers (1992), a film that explores the riots of October 1988 through the microcosm of an Algerian family split by a Westernized versus Islamicized view of contemporary Algeria. His other son, Tariq Lakhdar-Hamina, is a film producer.\n\nOn 23 May 2025, Lakhdar-Hamina died in his home in Algiers, at the age of 91.\n\nFrom its inception, Algerian cinema was intertwined with the ideological and existential debates that surrounded the Algerian war of independence and the postcolonial nation-building stage. ...\n\nSource: Article \"Mohammed Lakhdar-Hamina\" from Wikipedia in English, licensed under CC-BY-SA.","1934-02-26","2025-05-23",2,null,544569,"nm0482228","Directing","Mohammed Lakhdar-Hamina","M'sila, 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الاعتقالات والإعدامات التعسفية، تفجيرات النابالم، حرائق الدوارات، ومحو قرى بأكملها من الخريطة وغيرها، وهو ما وصفه الإعلام الفرنسي بـ”حملة التهدئة”.",0.609,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01","6224b729e32943006f4a38a2","Director",{"adult":4,"backdrop_path":168,"genre_ids":169,"id":171,"title":172,"original_language":60,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":50,"credit_id":179,"department":180,"job":181,"media_type":40},"\u002FwIxj5PXUdw5vVwAMyYCDUX4fc0e.jpg",[170,57,73],12,330662,"حسان طيرو","Hassan Terro","بينما يحاول بكل الوسائل الابتعاد عن الاضطرابات الدموية التي سببتها معركة الجزائر، يقدم حسن، وهو أب صادق وساذج، الضيافة لمجاهد مطلوب من قبل الجيش دون قصد. فرنسي. وسرعان ما دفعته سلسلة من الأحداث وسوء الفهم إلى الواجهة، حيث قدمته تحت الاسم المستعار \"حسن تيرو\"، وهو إرهابي وهمي كبير كان سيقسم هلاك الجيش الفرنسي...",0.8771,"\u002Ff1CPVlvjoDHqlBujc3yNcW5RJwM.jpg","1968-10-14",8.5,"6224b6a67c6de3004468b4dc","Writing","Writer",{"adult":4,"backdrop_path":183,"genre_ids":184,"id":185,"title":186,"original_language":60,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":83,"credit_id":192,"department":150,"job":151,"media_type":40},"\u002F4aaQt8Lza4cbWhXgGDQAtOS2rUb.jpg",[25,57],198790,"ريح الاوراس","ريح الاوراس - أول فيلم طريق للسينما الجزائرية - يصف تحولات الحياة اليومية للشعب الجزائري خلال الاحتلال الفرنسي المدمر ثم خلال حرب التحرير. مع القمع العسكري على قدم وساق، تجد امرأة فلاحية نفسها وحيدة في منزلها الجبلي عندما يختطف الجنود الفرنسيون ابنها الوحيد بعد وقت قصير من وفاة زوجها خلال غارة. في أحد الأيام، رأت دجاجة ميتة، الأمر الذي اعتبرته نذير شؤم، قررت مغادرة المنزل وبدأت رحلة مؤلمة عبر الجبال. تسافر برفقة دجاجتين من معسكر اعتقال إلى آخر في بحث يائس عن ابنها المفقود. الفيلم مستوحى من الأحداث التي عاشتها عائلة المخرج.",1.0767,"\u002F2a7pn3dm4O55fGSBgRySdHfpf62.jpg","1967-06-08",6.8,"6225ea974a4bfc006e3dee5b",{"adult":4,"backdrop_path":55,"genre_ids":194,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":195,"department":14,"job":166,"media_type":40},[25,57,24],"52fe4833c3a36847f815c37b",{"adult":4,"backdrop_path":11,"genre_ids":197,"id":199,"title":200,"original_language":29,"original_title":200,"overview":46,"popularity":201,"poster_path":11,"release_date":202,"softcore":4,"video":4,"vote_average":79,"vote_count":79,"credit_id":203,"department":14,"job":166,"media_type":40},[198],9648,836686,"Le Temps D'une 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رملية","Vent de sable","في واحة صحراوية، تهب الرياح كل يوم تقريبًا. أنجبت زوجة عمارة، حليمة، للتو ابنتهما الثامنة. يشعر بالخجل لعدم وجود وريث ذكر، ويعميه الغضب، فيتبرأ من زوجته... سيتم اختيار فيلم \"ريح الرمال\" ليكون الفيلم الجزائري المرشح لجائزة الأوسكار لأفضل فيلم بلغة أجنبية في حفل توزيع جوائز الأوسكار الخامس والخمسين. وقد عُرض أيضًا في المسابقة الرسمية في مهرجان كان السينمائي في عام 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الجزائر العاصمة، أثناء حرب الاستقلال الجزائرية، تم اعتقال أحد قادة جبهة التحرير الوطني من قبل جيش الاستعمار الفرنسي، الذي استخدم أعنف الأساليب لحمل السجناء على الكلام. يشكل استخدام التعذيب مشكلة ضمير بالنسبة لضابط فرنسي. من خلال لعب طلقة معكوسة، بين المعذب وجلاده، في كاميرا خانقة، يقترب محمد الأخضر حمينة من التعذيب من خلال استلهام قصة والده الذي توفي نتيجة سوء 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وثائقيًا مذهلاً وقوة نادرة من الأصالة. يناقش الفيلم، الذي تحمله الترجمة المؤثرة لليلى شينا في دور ريما، الممثلة كريكيش، وتهدئه موسيقى تاوس عمروش، تحرر المرأة والمقاومة الاجتماعية والعلاقة مع الإقليم.",1.1566,"\u002Fj7uP3YrosMJJOYrgfprdIL0aQdr.jpg","1970-11-11",7.1,"65fe45b7226c5601646f8532",{"adult":4,"backdrop_path":183,"genre_ids":313,"id":185,"title":186,"original_language":60,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":83,"credit_id":314,"department":180,"job":181,"media_type":40},[25,57],"5909ad2f9251411cde00c5a2",{"adult":4,"backdrop_path":316,"genre_ids":317,"id":318,"title":319,"original_language":60,"original_title":319,"overview":320,"popularity":321,"poster_path":322,"release_date":323,"softcore":4,"video":4,"vote_average":324,"vote_count":10,"credit_id":325,"department":14,"job":166,"media_type":40},"\u002Fhr6Jpi7iUfdlTNJFCb9jjsYcgsj.jpg",[43,57],1109602,"جزائرنا 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تونسي.",1.3082,"\u002Fagvj7XBahSCkwV8hUc1JqSRSxd1.jpg","1959-01-01",5.5,"642edd060d2f5300b6cc4723",{"adult":4,"backdrop_path":168,"genre_ids":327,"id":171,"title":172,"original_language":60,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":50,"credit_id":328,"department":150,"job":329,"media_type":40},[170,57,73],"69205efd6bd7b34d9021acbd","Director of Photography",{"profiles":331},[332,337],{"aspect_ratio":333,"height":334,"iso_3166_1":11,"iso_639_1":11,"file_path":18,"vote_average":335,"vote_count":80,"width":336},0.667,1020,3.334,680,{"aspect_ratio":338,"height":339,"iso_3166_1":11,"iso_639_1":11,"file_path":340,"vote_average":341,"vote_count":80,"width":342},0.666,1922,"\u002Fv7O5UgTvCfBmt72EShoViZuj9gA.jpg",0.166,1280]