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During the silent era he worked in theatre with supporting roles in cinema, but with the advent of sound, he made a big screen comeback in the comedy directed by Florián Rey, La pura verdad in (1931).  In the 1930s he acted in half a dozen films including: ¿Cuándo te suicidas? (1931) directed by Manuel Romero, La bien pagada (1935) by Eusebio Fernández Ardavín orEl bailarín y el trabajador (1935), directed by Luis Marquina and based on a play by Jacinto Benavente.  In the 1940s he gained great popularity in films such as Te quiero para mí (1944) and El testamento del virrey (1944), both directed by Ladislao Vajda; Ella, él y sus millones (1944) by Juan de Orduña; El fantasma y doña Juanita (1945) by Rafael Gil and Pacto de silencio (1949), by Antonio Román.  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