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During the 1970s, Berri's films as a director were mostly comedies but he later found increased success with several high-profile literary adaptations. In 1986, his two-part film Jean de Florette and Manon of the Spring won public and critical acclaim, becoming his best-known work. He next directed Uranus (1990) and most notably Germinal (1993). In 1997, he directed the historical biopic Lucie Aubrac.\n\nDirectors whose films were produced by Berri include Roman Polanski, Jacques Demy, Jean-Jacques Annaud, Claude Sautet, Miloš Forman, Claude Zidi, Jacques Rivette, Patrice Chéreau, Alain Chabat, Abdellatif Kechiche and Dany Boon.\n\nBorn Claude Beri Langmann in Paris, Berri was the son of Jewish immigrant parents. His mother, Beila (née Bercu), was from Romania, and his father, Hirsch Langmann, was a furrier from Poland. In 1943, during the Nazi occupation of France, Berri's parents entrusted him for his safety to a family in the countryside. He spent the rest of the occupation being fostered by \"an antisemitic couple\" who were unaware that he was Jewish. His sister, screenwriter and editor Arlette Langmann, was born after the war.\n\nBerri's original vocation was to be an actor. He began a career in the early 1950s but struggled to find roles, which prompted him to turn to directing and eventually producing. In 1965, he gained notice for The Chicken, which won the Award for best short film at the 38th Academy Awards.\n\nIn 1967, Berri directed The Two of Us (Le Vieil homme et l'enfant), a partially autobiographical film that told the story of a Jewish child, entrusted during World War II to a benevolent and antisemitic old farmer who remains unaware that the boy he is caring for is a Jew. The film was a great success in France and abroad. 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