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Malle is also one of the few directors to have won the Golden Lion multiple times.\n\nMalle worked in both French cinema and Hollywood, and he produced both French and English language films. His most famous films include the crime film \"Elevator to the Gallows\" (1958), the World War II drama \"Lacombe, Lucien\" (1974), the romantic crime film \"Atlantic City\" (1980), the comedy-drama \"My Dinner with Andre\" (1981), and the autobiographical film \"Au Revoir les Enfants\" (1987).\n\nMalle was born into a wealthy industrialist family in Thumeries, Nord, France. He initially studied political science at Sciences Po before turning to film studies at IDHEC instead.\n\nHe assisted Robert Bresson on \"A Man Escaped\" (1956) before making his first feature, \"Elevator to the Gallows\" (1958), a taut thriller featuring an original score by Miles Davis, which made an international film star of Jeanne Moreau, at the time a leading stage actress of the Comédie-Française. Malle was 24 years old.\n\nMalle's \"The Lovers\" (1958), which also starred Moreau, caused major controversy due to its sexual content, leading to a landmark U.S. Supreme Court case regarding the legal definition of obscenity.  Malle is sometimes associated with the nouvelle vague movement, and while Malle's work does not directly fit in with or correspond to the auteurist theories that apply to the work of Godard, Truffaut, Chabrol, Rohmer and others, and he had nothing whatsoever to do with the Cahiers du cinéma, his films do exemplify many of the characteristics of the movement, such as using natural light and shooting on location, and his film \"Zazie dans le Métro\" (1960), an adaptation of the Raymond Queneau novel, inspired Truffaut to write an enthusiastic letter to Malle.\n\nIn 1968 Malle visited India and made a seven-part documentary series \"Phantom India\" (1969), which was released in cinemas. 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